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unculture: cardozzza: samael: itsbish: laikaworld: “We cut...

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unculture:

cardozzza:

samael:

itsbish:

laikaworld:

“We cut a trough into the set, and we put a piece of rigging that goes under the set and into the mother’s stomach. It’s a little creepy, I know. But it allows us to slide her along the surface of the sand, and every time she reaches out and claws into the sand, that’s all a plasticine or clay surface that we have to carve into and move a frame at a time. We’d have little bits of sand that were flying up in the air, so we take these little bits of foam or clay, we put them on bug pins or wires or little bits of fishing line, and we have those elevated and move them a frame at a time to make it look like it’s bursting out of the ground.” - Travis Knight 

literally impecable. Im losing my mind

And it all happens so naturally that you never question how it could happen

I’ve never seen the piece of media this is from, but I’m blown away. Even beyond that bit of technical wonder, just how expressive the doll is. The anguish and pain shows so clearly, without being almost comical. A lot of stop animation (even ones I love!) rely so heavily on sound to make the scenes emotionally charged.

this is from Kubo and the Two Strings and the whole film is this stunning


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